Bob Wingate's Blog

A Great Bondage Session

In the glow of this week's two great Supreme Court decisions, let me repost one of my favorite bondage shoots ever, which had J.T. Sloan tying up and topping Sweet Williams. The photo to the right is one of my all-time favorite photos. I've also posted many of these other pics before, but I don't think you've seen them all.

The Story Behind the Picture

This is the story that won the sixth Bound & Gagged fiction contest, inspired by a drawing from the great bondage artist Titus. I put the drawing itself up for sale for $150 the day before yesterday, and also offered, for $50 apiece, personal archive copies of the two issues in which the picture appeared: Issue 72, which announced the contest and Issue 75, with the winning entry, below. Click here for the art sale details. [Note: The Titus illustration has just been sold, but the three drawings by Kevin Tindall are still available. Click here for details.]

 

THE TAMING OF SHAWN

by Bobby Leigh

 

When the Board of Directors authorized the hiring of Shawn Seldon, I was thrilled. As executive director for the historical society of our sleepy seaside college town, I had my hands full. The summer was going to be a busy one because we had to raise $300,000.00 to renovate several historic landmarks. Shawn was hired to coordinate the various fundraisers that we had planned. His father was politically connected to our Senator, a wonderful man who was always helping us with federal funds. No one would think of turning down the Senator's request that we hire the son of one of his main contributors.

Bondage Art for Sale

As I told you yesterday, I just came across some bondage art that was done for publication in Bound & Gagged. Since Lee and I are in the process of downsizing everything, even our storage units, I have decided to sell much of the art I find there (considerably more than I'm selling today), with the hope that buyer(s) will ultimately offer these works to the Leather Archives and Museum (LA&M) in Chicago, the soon-to-be home of the bulk of the Bound & Gagged archive.

 

Today I am offering four illustrations, three by an artist named Kevin Tindall whose work I liked a lot but who didn't draw for me nearly as often as I'd have liked before he too quickly disappeared from view (We kept his name on the masthead forever, hoping we'd hear from him again). I wish I remembered which issues these particular drawings appeared in, but I'd have to go through too many numbers of the magazine to find them. I may do that eventually, and may even put together an art/photo index one of these days; I'm feeling inspired to do that as a result of this find, but not today. 

 

The fourth illustration is by the wonderful artist Titus. The issue number for this one was easier to find, since I knew at once that the plot-filled drawing was the inspiration for one of our very popular "What's going on in this picture?" fiction contests, inspired by Titus's drawings. In this case it was Fiction Contest 6. The picture first appeared in Issue 72 [Sept./Oct. 1999]; it appeared again with the winning fiction entry in Issue 75 [March/April 2000]. Tomorrow or Tuesday—as soon as I get my act together—I'll repost the drawing, with the winning entry.

 

Because all four illustrations were too big to scan or photocopy, I had to photograph them with my cellphone, so hope you'll forgive me if the angle distorts the pics a little bit.

 

The titles given to all four illustrations are mine, quickly made up a few minutes ago.

 

 

Hogtied by Kevin Tindall. Issue 39, page 6. 11" x 14". Signed. Art stock. Unframed. $75 plus $10 shipping & handling in the continental U.S. Email me for foreign s&h fees.

 

 

 

 

 

 

 

 

 

 

Chairtied by Kevin Tindall. 11" x 14". Signed. Art stock. Unframed. $75 plus $10 shipping & handling in the continental U.S. Email me for foreign s&h fees.

 

 

 

 

 

 

 

 

 

 

The Captive by Kevin Tindall. Illustration for "I guess being naked and in chains…", Issue 39, page 41. 11" x 14". Signed. Art stock. Unframed. $75 plus $10 shipping & handling in the continental U.S. Email me for foreign s&h fees.

 

 

 

 

 

 

 

 

 

In the Stocks, by Titus. Approx 10 5/8" x 12 5/8". Signed. Drawing paper. Unframed. $150 plus $10 shipping & handling in the continental U.S. Email me for foreign s&h fees. This drawing has a slight tear at the top, in the middle of the center guy's T shirt.

SOLD

 

If you want either Issue 72 or 75, they will cost you an additional $50 apiece, plus $10 shipping and handling for either one, or both. I am charging this much for the magazines since they are from my personal archive; furthermore, they will have to be sent separately from the artwork. Again, these s&h fees are for the Continental U.S. only. Email me for foreign s&h fees. 

 

All payments to be made into my PayPal account, [email protected] Contact me first for availability.

 

This and that and Ari Daimler in Bondage

 

 

 

Anyone looking to buy a beautiful 1870 farmhouse in Bucks County, PA, on 4.5+ acres of beautifully landscaped park (with a fair number of secret gardens and other outdoor hideaways for fun and games, and a veritable meat-rack of woods) and several outbuildings, one of which, a chicken house turned playroom/ dungeon, was the site of a number of famous bondage videos such as Tag Tied, Tag Punished, Masters & Slaves and a bunch more? Contact me at [email protected]

Mr. Lee Binds Slimebucket Office Slave

Mr. Lee was on hand the whole day that slimebucket spent in our office, and was kind enough to participate—with glee and great skill—in the tying up of our office slave. From personal experience I can say that Mr. Lee (and my then assistant and wonderful friend Lew) who acted as his second, are the best tyer-uppers (if such a word exists, and if it doesn't, it should), I've ever known, and office slave could not have asked for more than to be made hopelessly helpless by those two great men.

As I said yesterday, we took several hundred photos of slimebucket, far more than we had space to publish at that time, or than I could even post yesterday, trying as I was to follow the story line. Here's a pretty good selection, with possibly some repeats, as we follow office slave throughout the day.

A Day in the Life of a Slimebucket Office Slave

I introduced this piece, which appeared in Issue 61 of Bound & Gagged [Nov/Dec 1997] with the following disclaimer: "This whole story is a lie. Nothing remotely resembling the acts described could ever take place in our office. We take no responsibility for other people’s fantasies." All of which was true. On the other hand, the writer who sent me this fantasy, and with it included photos of himself, was so desperate to have the experience he described, and so good looking, that I'd have had to be a far crueler sadist than I was to have denied him his desires. Some fantasies of his we sadly could not fulfill, e.g. the presence of Rick Bolton, a popular nasty-top pornstar of the era, but as for the bondage, we gave office slave an experience better than he could have hoped for, thanks to the participation of the inimitable Mr. Lee who was in town for the occasion and did most of the ropework.

 

SLIMEBUCKET OFFICE SLAVEBOY FAGGOT SLAPPED AROUND AND SPAT ON BY BOUND & GAGGED STAFF

 

A day of bondage and humiliation. An ultimate realization of a major fantasy was about to begin. I had met Bob and Lew a couple of weeks earlier when applying for a job as an office assistant. After that first meeting, my fantasy of being at their disposal while they went about their day’s work had become more and more of an obsession, to the point of describing it, in full detail, to Tom, an acquaintance from one of the local bondage clubs. Tom listened carefully, enjoying the detailed scenario, not telling me that he was well acquainted with the two men. A couple of days later I received a phone call from Bob.

Lost Bondage Stories - 38

It will be immediately apparent why I placed these two submissions together, even though I noted in the unpublished manuscript that the second one came in more than six months after the other, and from the opposite side of the country. As I wrote in an intro: "…as far as we can tell, the two writers have never met. No doubt they should."

 

 

1-WOULD LIKE TO BE A PARTY DECORATION

 

I guess my most frequent fanticy is that I’m strictly bound with rope, leather or chains, in the middle of a room at a party or at a private bar. I’d like to have the host or a person designated by the host to use elaborate “art” type bondage on me. I’d want him to be as creative as possible. He could uses suspension, cages, body wrapping, steel or anything that may attract attention. I’d want to be in the room in plane view of everybody and be able to have men touch me if they wanted. Have you ever thought of decorating for your next party with bodies rather than flowers or paper mache? I’d be more than willing. I’d get off on just being a part of someone’s creative expression and having someone appreciate it.

Slave Dale Tied in Lockerroom

Here's a favorite bunch of photos of mine, of a favorite slave. Not sure I've posted these before, but they're certainly worth a second, or even third or fourth look. Apologies for their not being HD, but we just didn't have that at the time. For what it's worth, the bondage was pretty HD.

Roped by College Jocks

This is actually "Chapter 37" from my lost manuscript. I have it down as coming "From a founder of another bondage club," but have no idea who the writer was, what club it was, or how long it may have existed. For all I know, it's going still. In my very hazy memory, I think the letter might have come from Pittsburgh, since I was in regular correspondence with a cute guy from that city at the time, one of whose experiences I included in the manuscript and have posted here. He was very eager to get a bondage club going in his town, and I kind of think he may even have started one. 

 

ROPED BY COLLEGE JOCKS

 

Just wanted to share some information with you, and also share a fascinating story about something that happened to me recently. I know I just wrote you, but I can’t wait to tell you this one.